his expression reflects it perfectly, a bemused meeting of his eyebrows, lines of his forehead intertwined and questioning. is this how he lives? what a question. what a question—.
the first answer, immediate and instinctual, sits ready to go: yes. obviously. before it dawns on him that he's not sure what she means, not sure what he'd be answering 'yes' to.
he cants his head, gaze sidelong and contemplative. brow furrowed, uncertain. yes, it's how he lives. he can guess at the meaning of the question (the now question and the later questions), even if he's not sure how much she wants to know the answer, really and truly. not sure if she really wants to know the reasons why marc barely sleeps, the reasons why when he does, it's for snatches of minutes, only sometimes hours at a time. it's instability and nightmares. it is uncertainty, it's feelings he doesn't quite know how to put into words. fear and guilt and shame all combined, all at once. what is that? he doesn't know. the closest he's ever settled on is 'debt' and that's not quite the same thing. )
Yeah, ( he answers, oddly. awkwardly. it feels dangerously close to admitting weakness and insecurity. this is how he lives, and it means that so much of his day-to-day (night-to-night) is caught up in worry and paranoia and preoccupation.
the breath, the pause feels heavy and thick before he continues, before he elaborates. ) It can be distracting.
[ In his time mulling over his answer, her question, Lottie watches between moments dedicated to herself. She thinks she hit something of a weird spot, something that settles between uncharacteristic of them and uncomfortably raw, the implication of what she asks. And he doesn't say it, but she thinks he wants to: yes. With a lot more conviction and assurance than what she gets: yeah.
That yeah is awkward and weird, probably tastes as strange on his tongue as it sounds to her ears. It's dangerously close to admitting weakness and insecurity. It doesn't quite cross, but it edges into vulnerable. A different kind to what she shows him so readily, Lottie so unabashed in what makes her skin crawl and her eyes water. She doesn't say anything, just kind of waits to see if he'll say anything else because godβ even in this dark he looks it.
And he does. Lottie leans forward with interest, her anxiety and panic being pushed aside (she is still jittery, still a little breathless despite this because Lottie can't swallow everything down, after all) in favor of what she thinks are going to be divine answers. Marc's masterclass toβ not living well, she guesses, but living. ]
What do you do to not be distracted?
[ (It is here she forgets Marc doesn't live so much as he just does enough to survive and keep himself occupied, his closet full of Moon Knight suits a pointed reminder his duty as the moon man overtakes and precedes virtually everything else to where he's hardly Marc Spector. He's more... Marc Knight. Moon Spector (should she bring this up to him to trademark? She thinks he'd like that a lot).) ]
( marc would describe himself as guarded, if he had to, but it's not quite the truth. he likes to think of himself as guarded but the reality is he's prickly and more of an open book than he'd like to be. he's prone to ranting and raving and emotional outbursts that say more of his self-perception than anything he actually says ever does or ever has.
there are times when he thinks that lottie gets it — or gets him, whatever, he's not sure what the difference is or if it even matters — even if she doesn't realise it. other times, he thinks she doesn't get any of it at all. other times like this.
("what do you do to not be distracted?")
he extends a hand and gestures vaguely. it's an action that means what do you think?, an unspoken question that asks what do you think moon knight is? it's flawed and not as effective as he'd always like, having veered to and fro on how much it's part of the problem and how much it helps the problem. the truth is that marc finds it — all of it — all-encompassing and all-consuming, but he knows that without it, he wouldn't have anything. he doesn't know who he'd be.
(steven? jake? not marc—.)
the difference is, marc doesn't let himself forget any of it. marc has boxes upon files upon tapes of his history, his mistakes, his choices, locked away in cupboards in this building. )
I beat people up at night. ( is what he says and even as he says it, he knows how it sounds. is aware, quite suddenly, that compared to lottie person's very normal life, his is the poster child for not dealing with problems. that his solution is frankly and utterly absurd.
(every solution he's tried has been the same: problematic and self-destructive.) )
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
no subject
his expression reflects it perfectly, a bemused meeting of his eyebrows, lines of his forehead intertwined and questioning. is this how he lives? what a question. what a question—.
the first answer, immediate and instinctual, sits ready to go: yes. obviously. before it dawns on him that he's not sure what she means, not sure what he'd be answering 'yes' to.
he cants his head, gaze sidelong and contemplative. brow furrowed, uncertain. yes, it's how he lives. he can guess at the meaning of the question (the now question and the later questions), even if he's not sure how much she wants to know the answer, really and truly. not sure if she really wants to know the reasons why marc barely sleeps, the reasons why when he does, it's for snatches of minutes, only sometimes hours at a time. it's instability and nightmares. it is uncertainty, it's feelings he doesn't quite know how to put into words. fear and guilt and shame all combined, all at once. what is that? he doesn't know. the closest he's ever settled on is 'debt' and that's not quite the same thing. )
Yeah, ( he answers, oddly. awkwardly. it feels dangerously close to admitting weakness and insecurity. this is how he lives, and it means that so much of his day-to-day (night-to-night) is caught up in worry and paranoia and preoccupation.
the breath, the pause feels heavy and thick before he continues, before he elaborates. ) It can be distracting.
no subject
That yeah is awkward and weird, probably tastes as strange on his tongue as it sounds to her ears. It's dangerously close to admitting weakness and insecurity. It doesn't quite cross, but it edges into vulnerable. A different kind to what she shows him so readily, Lottie so unabashed in what makes her skin crawl and her eyes water. She doesn't say anything, just kind of waits to see if he'll say anything else because godβ even in this dark he looks it.
And he does. Lottie leans forward with interest, her anxiety and panic being pushed aside (she is still jittery, still a little breathless despite this because Lottie can't swallow everything down, after all) in favor of what she thinks are going to be divine answers. Marc's masterclass toβ not living well, she guesses, but living. ]
What do you do to not be distracted?
[ (It is here she forgets Marc doesn't live so much as he just does enough to survive and keep himself occupied, his closet full of Moon Knight suits a pointed reminder his duty as the moon man overtakes and precedes virtually everything else to where he's hardly Marc Spector. He's more... Marc Knight. Moon Spector (should she bring this up to him to trademark? She thinks he'd like that a lot).) ]
no subject
there are times when he thinks that lottie gets it — or gets him, whatever, he's not sure what the difference is or if it even matters — even if she doesn't realise it. other times, he thinks she doesn't get any of it at all. other times like this.
("what do you do to not be distracted?")
he extends a hand and gestures vaguely. it's an action that means what do you think?, an unspoken question that asks what do you think moon knight is? it's flawed and not as effective as he'd always like, having veered to and fro on how much it's part of the problem and how much it helps the problem. the truth is that marc finds it — all of it — all-encompassing and all-consuming, but he knows that without it, he wouldn't have anything. he doesn't know who he'd be.
(steven?
jake?
not marc—.)
the difference is, marc doesn't let himself forget any of it.
marc has boxes upon files upon tapes of his history, his mistakes, his choices, locked away in cupboards in this building. )
I beat people up at night. ( is what he says and even as he says it, he knows how it sounds. is aware, quite suddenly, that compared to lottie person's very normal life, his is the poster child for not dealing with problems. that his solution is frankly and utterly absurd.
(every solution he's tried has been the same: problematic and self-destructive.) )